The Chimes
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Level 2

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Level 3

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Goblin1 Story of Some Bells that

Rang an Old Year Out1 and a New Year In
Charles Dickens

No wonder that an old man’s breast could not contain a sound so vast and mighty. It broke from that weak prison in a rush of tears; and Trotty put his hands before his face.

‘Listen!’ said the Shadow.

‘Listen!’ said the other Shadows.

‘Listen!’ said the child’s voice.

A solemn strain of blended voices, rose into the tower.

It was a very low and mournful strain — a

Dirge

Level 1

language

Dirge1 — and as he listened, Trotty heard his child among the singers.

‘She is dead!’ exclaimed the old man. ‘Meg is dead! Her Spirit calls to me. I hear it!’

‘The Spirit of your child bewails the dead, and mingles with the dead — dead hopes, dead fancies, dead imaginings of youth,’ returned the Bell, ‘but she is living. Learn from her life, a living truth. Learn from the creature dearest to your heart, how bad the bad are born. See every bud and leaf plucked one by one from off the fairest stem, and know how bare and wretched it may be. Follow her! To desperation!’

Each of the shadowy figures stretched its right arm forth, and pointed downward.

‘The Spirit of the Chimes is your companion,’ said the figure.

‘Go! It stands behind you!’

Trotty turned, and saw — the child! The child Will Fern had carried in the street; the child whom Meg had watched, but now, asleep!

‘I carried her myself, to-night,’ said Trotty. ‘In these arms!’

‘Show him what he calls himself,’ said the dark figures, one and all.

The tower opened at his feet. He looked down, and beheld his own form, lying at the bottom, on the outside: crushed and motionless.

‘No more a living man!’ cried Trotty. ‘Dead!’

‘Dead!’ said the figures all together.

‘Gracious Heaven! And the New Year —’

‘Past,’ said the figures.

‘What!’ he cried, shuddering. ‘I missed my way, and coming on the outside of this tower in the dark, fell down — a year ago?’

‘Nine years ago!’ replied the figures.

As they gave the answer, they recalled their outstretched hands; and where their figures had been, there the Bells were.

And they rung; their time being come again. And once again, vast multitudes of phantoms sprung into existence; once again, were incoherently engaged, as they had been before; once again, faded on the stopping of the Chimes; and dwindled into nothing.

‘What are these?’ he asked his guide. ‘If I am not mad, what are these?’

‘Spirits of the Bells. Their sound upon the air,’ returned the child. ‘They take such shapes and occupations as the hopes and thoughts of mortals, and the recollections they have stored up, give them.’

‘And you,’ said Trotty wildly. ‘What are you?’

‘Hush, hush!’ returned the child. ‘Look here!’

In a poor, mean room; working at

the same kind of embroidery which he had often , often seen before her

the same kind of embroidery which he had often, often seen before her1; Meg, his own dear daughter, was presented to his view. He made no effort to imprint his kisses on her face; he did not strive to clasp her to his loving heart; he knew that such endearments were, for him, no more. But, he held his trembling breath, and brushed away the blinding tears, that he might look upon her; that he might only see her.

Ah! Changed. Changed. The light of the clear eye, how dimmed. The bloom, how faded from the cheek. Beautiful she was, as she had ever been, but Hope, Hope, Hope, oh where was the fresh Hope that had spoken to him like a voice!

She looked up from her work, at a companion. Following her eyes, the old man started back.

In the woman grown, he recognised her at a glance. In the long silken hair, he saw the self-same curls; around the lips, the child’s expression lingering still. See! In the eyes, now turned inquiringly on Meg, there shone the very look that scanned those features when he brought her home!

Then what was this, beside him!

Looking with awe into its face, he saw a something reigning there: a lofty something, undefined and indistinct, which made it hardly more than a remembrance of that child — as yonder figure might be — yet it was the same: the same: and wore the dress.

Hark. They were speaking!

‘Meg,’ said Lilian, hesitating. ‘How often you raise your head from your work to look at me!’

‘Are my looks so altered, that they frighten you?’ asked Meg.

‘Nay, dear! But you smile at that, yourself! Why not smile, when you look at me, Meg?’

‘I do so. Do I not?’ she answered: smiling on her.

‘Now you do,’ said Lilian, ‘but not usually. When you think I’m busy, and don’t see you, you look so anxious and so doubtful, that I hardly like to raise my eyes. There is little cause for smiling in this hard and toilsome life, but you were once so cheerful.’

‘Am I not now!’ cried Meg, speaking in a tone of strange alarm, and rising to embrace her. ‘Do I make our weary life more weary to you, Lilian!’

‘You have been the only thing that made it life,’ said Lilian, fervently kissing her; ‘sometimes the only thing that made me care to live so, Meg. Such work, such work! So many hours, so many days, so many long, long nights of hopeless, cheerless, never-ending work — not to heap up riches, not to live grandly or gaily,

not to live upon enough

not to live upon enough1, however coarse; but to earn bare bread; to scrape together just enough to toil upon, and want upon, and keep alive in us the consciousness of our hard fate! Oh Meg, Meg!’ she raised her voice and twined her arms about her as she spoke, like one in pain. ‘How can the cruel world go round, and bear to look upon such lives!’

‘Lilly!’ said Meg, soothing her, and putting back her hair from her wet face. ‘Why, Lilly! You! So pretty and so young!’